For the past month I have been trying to come up with an idea for holiday cards. My mind has been a blank. I tried a few things, but nothing jumped out at me. That is… until last night 
So I bring you my lastest work in the form of holiday cards.
It’s a start at least, right?
I just put together a new floral calendar called Flora. I have been holding off on doing a floral calendar because I wanted it to have a theme. I wanted it to have simular editing, either all manipulated, or all natural photography. But then I thought, huh, I constantly change my techniques, bouncing back and forth from this style to that, so why not allow my calendar to reflect that too? So I bring you my latest calendar Flora!
Additionally, I have added my lattest Digital Abstract, Techno Luminescence, to my Digital Abstract Calendar.
Almost all of my images in these calendars can be puchased as premium art cards, matted prints, laminated prints, mounted prints, canvas prints, framed prints, and posters. All in varying sizes. To see more work and/or purchase click here.
Example Card:
Who doesn’t love a good challenge? Especially a photography challenge. It makes you think, it broadens your horizon, it pushes you outside your comfort limit. Recently I participated in a challenged hosted by APC. The challenge, of which I chose to except, was to make a creative image using a light bulb, a piece of string, and a key. You could add anything else to the image, just as long as those 3 images were clearly visible.
Although there was not a huge turn out in the challenge, some amazing images were created. All different approaches and all different styles.
My original idea was to take a light bulb, and try to stab a key into it. Or at the very least, get a whole in the light bulb, and stick the key into it. Then I was going to set it up to look like it is laying in blood. Well if you know anything about light bulbs, they don’t break with a nice neat whole, they shatter. So I ended up working with a shattered light bulb. I set out some plastic bags, covered w/ white paper, layed out the light bulb, well the pieces at least, and created my pool of blood. I knew I was planning on taking the image in black and white, so I used good old fashioned maple syrup for blood. Since I had to have the key and string in the image, I tied the string to the key, and carefully layed on my bloody scene. Then I set my camera to the sharpest, highest contrast, black and white setting, then upped the exposure. (I was also going for a high key look. ) Set it on the tripod (I was working inside with poor lighting) and started shooting at several different angles. After a short trip in Photoshop, honestly, I did some minor editing, decreased contrast, cleaned up the edges, where the sheet of paper ended, etc. This was my final image (You might recognise it from my new banner above):
I took 2nd place in the challenge. First place went to Adriana Glackin.
Here are the rest of the entries:
Are you up to the challenge?
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All of my work can be puchased as premium art cards, and most are available as matted prints, laminated prints, mounted prints, canvas prints, framed prints, and posters. All in varying sizes. To see more work and/or purchase click here. (or click on a particular image)
Example Card:
What is TTV: Through the Viewfinder?
Well, it’s pretty much what it says. It’s a technique using two cameras, an old box camera and the camera you actually take pictures with, in which you take a picture of what you see through the other camera’s viewfinder. Make sense?
What is the point you ask?
For me, I love the aged retro look you get with TTV. Yeah, you can make an image look aged or antiqued using textures and filter in Photoshop, but it’s just not the same. Most of the old box cameras are dirty, covered in dust, maybe some scratches, all of which add to the character of the image. (The dirtier the better I say!) Not to mention the challenge of balancing 2 cameras, and the whole flip flop issue. Most box camera’s used have a top viewfinder, that uses mirrors, so you have to keep your good camera at a 90 degree angle to what you want to photograph. Oh, and everything is reversed. Do you know how confusing that can get, you keep turning the direction you need to to center the image, yet in the viewfinder it’s going the other way?!?
So what do you need to get started?
First off, you need a camera to actually take the picture. I’ll assume if you are reading this, you already have one of those And to get a nice close-up shot of the viewfinder, you will need a macro lens, or zoom filters. You will need to be able to take a picture a few inches away from the object. If your camera has a macro setting that you are happy with, then by all means, just use that! Besides that, you will need some sort of old camera with a large viewfinder, and then something to block out the light between the 2 cameras.
After you have what you need, honestly, all you do is take a picture of the viewfinder.
Obviously the image above doesn’t have the light blocked out between the two cameras. I just wanted to show you the viewfinder.
My set up:
I have my Canon Rebel XTi for my primary camera (we’ll call this camera #1 from now on), an old box Argus 75 for my secondary camera (camera #2), my stackable zoom filters (I don’t have a macro lens), and my Tube of Darkness. Put together it looks like this:
You can pick up an old box camera fairly cheap at flea markets, antique stores, or ebay. Cameras like the Argus 75 were so overly mass produced in the 40’s, 50’s, and 60’s, you can find them all over the place. I picked mine up on ebay for $4.99 plus shipping!
Here it is pulled apart:
The Tube of Darkness:
To block out the light between cameras, I used a 3 inch cardboard tube that I cut down to 6 inches long, and a black (fuzzy) sock (lost the match) of which I cut the toe off. I slipped the black sock over the cardboard tube, so that there is equal excess material at the top and bottom of the tube. Then I slipped the tube over the open viewfinder on camera #2, and used saftey pins to secure it around camera #2’s straps, making sure it’s pulled tight, yet not to cover camera #2’s lens. And viola! a Tube of Darkness!
And since I use an SLR camera, I just dip my lens into the tube, and pull the top excess sock material over camera #1’s lens. The sock works great because of the elasticity, it keeps a snug fit over the camera’s, keeping out the light. Sorry, I can’t show you a picture of the SLR in the Tube of Darkness because I only have one camera!
I took the picture, now what?
Honestly, that’s up to you and your taste! First off, crop off all that excess around the image. Most people leave a small border around though. After that, editing is all up to you! I have heard that a lot of people like to used the Urban Acid Photoshop Action. I have tried it, but usually end up just playing with the tones and colors on my own, so I can’t give you an example of it. Then why not upload it to Flickr? There are a ton of TTV Flickr groups! Not to mention the ton of information you can find in those groups! The largest one, Through the Viewfinder, has a blog with a ton of information, including a list of a variety of different secondary (base) cameras that can be used. Check that out here.
I hope you enjoyed my lil tutorial/informative blog! Now I’m gonna shamelessly self-promote
More of my TTV images
This is the very first TTV I took. This is my daughter. What I love about this image, is that it looks like a picture that fell out of my baby book!
This picture was actually chosen as the picture of the day on Absolute Michigan’s Michigan in Pictures Blog!
“Museum of Newaygo”
All of my work can be puchased as premium art cards, and most are available as matted prints, laminated prints, mounted prints, canvas prints, framed prints, and posters. All in varying sizes. To see more work and/or purchase click here. (or click on a particular image)
Example Card:
